Monday, December 30, 2013
Sunday, December 22, 2013
Thursday, December 5, 2013
Monday, December 2, 2013
Sunday, December 1, 2013
Friday, November 29, 2013
Wednesday, November 20, 2013
Wednesday, November 6, 2013
Wednesday, October 9, 2013
Thursday, September 26, 2013
Friday, September 6, 2013
रोता मैं भी हूँ,
रोता मैं भी हूँ,
तेरी कमी महसूस करता हूँ
दर्द मुझे भी है
तेरे दूर जाने का
यकीन नहीं न, तो आके देख
मेरी तन्हाई में, रात की गहराई में
जब आँसू रुक नहीं पाते,
निकल ही आते हैं ये
वैंसे पी गया हूँ इनको,
खुद के अपनों के लिए,
आसां न था खुद के लिए गैर हो जाना,
भाव शून्य हो जाना,
हाँ ! भाव शून्य हूँ मगर विचार शून्य नहीं |
तेरी कमी महसूस करता हूँ
दर्द मुझे भी है
तेरे दूर जाने का
यकीन नहीं न, तो आके देख
मेरी तन्हाई में, रात की गहराई में
जब आँसू रुक नहीं पाते,
निकल ही आते हैं ये
वैंसे पी गया हूँ इनको,
खुद के अपनों के लिए,
आसां न था खुद के लिए गैर हो जाना,
भाव शून्य हो जाना,
हाँ ! भाव शून्य हूँ मगर विचार शून्य नहीं |
Sunday, August 25, 2013
Monday, August 19, 2013
Saturday, August 17, 2013
Wednesday, August 14, 2013
Saturday, July 27, 2013
Saturday, July 20, 2013
Thursday, July 18, 2013
Friday, July 12, 2013
Wednesday, July 10, 2013
Sunday, June 30, 2013
Saturday, June 29, 2013
Monday, June 10, 2013
Sunday, June 9, 2013
Friday, June 7, 2013
Wednesday, June 5, 2013
Tuesday, June 4, 2013
Sunday, June 2, 2013
Wednesday, May 29, 2013
Sunday, May 26, 2013
लेकिन ये लोकतंत्र की सबसे बड़ी घटना कैसे !
वाकई ये एक दुर्भाग्य पूर्ण घटना है लेकिन ये लोकतंत्र की सबसे बड़ी घटना कैसे ! केवल इसलिए की इस बार नक्सलियों का निशाना हमारे नेता (राजनीतक) लोग थे | ये वही राज्य है जहाँ कुछ वर्ष पहले लगभग 70 जवानों को नक्सलियों ने इसी तरह हमला कर मार डाला था. 70 जवानों के शहीद होने पर अपनी सरकारों (केंद्र या राज्य) के कानों में जूं तक नहीं रेंगती लेकिन कल की घटना में 10-15 नेता मरे हैं तो राज्य से लेकर केन्द्र सरकार तक हिल गयी केंद्र सरकार तो इतनी हिल गयी है की देश का प्रधानमंत्री, सोनिया गाँधी, राहुल गाँधी और देश की बड़ी सुरक्षा एजेंसियों के अधिकारी रायपुर पहुँच रहे हैं | काश देश की सरकारें तब भी हरकत में आये जब देश की आम जनता ऐसी घटनाओं का शिकार होती है |
Friday, May 17, 2013
Friday, May 10, 2013
Thursday, May 9, 2013
Sunday, May 5, 2013
ये सारे तथ्य मेरे व्यक्तिगत अनुभव के आधार पर प्रमाणित हैं !
घोटालों की कड़ी में रेलवे मंत्रालय का ये घोटाला तो रेलवे के अंदर घोटाले का एक पक्ष मात्र है यदि निष्पक्ष, निडर, ईमानदारी एवं राजनैतिक हक्ष्तेप से दूर रह कर जाँच की जायेगी तो घोटालों के कई अन्य पक्ष भी उजागर हो पाएंगे जिसमे एक पक्ष पैंट्री कार कांट्रेक्ट आवंटन का होगा | और पता चलेगा का कि किस प्रकार देश की जनता को तयशुदा कीमतों से अधिक (लगभग दुगनी) कीमत पर अधूरा भोजन परोसा जा रहा है | जैसे रेलवे बोर्ड ने Standard Casserole meals के तहत Vegetarian Meals के लिए 45.00 से 50 रूपये तय है जबकि वसूले जाते हैं 80 रुपये इसी तरह Non- Vegetarian Meals के लिए 50.00 से 55.00 और यहाँ भी वसूले जाते हैं 100 – 120 रूपये !
ये सारे तथ्य मेरे व्यक्तिगत अनुभव के आधार पर प्रमाणित हैं एवं कई बार पेंट्री कार वालों से इन तथ्यों पर बहस होने के बाद मुझे तयशुदा कीमत पर ही भोजन परोसा गया है |
मित्रों आपको ये लिंक भी दे रहा हूँ जहाँ आप देख सकते हैं की किन शर्तों एवं मूल्यों के आधार पर पेंट्री कार का आवंटन होता है |
http://www.indianrailways.gov.in/railwayboard/uploads/directorate/traffic_comm/Comm-Cir2K12/CC-78.PDF
Tuesday, April 30, 2013
The Himalayan Bulbul (Pycnonotus leucogenys)
The Himalayan Bulbul (Pycnonotus leucogenys) is a species of songbird in the Pycnonotidae family. If they are mixed with humans from a young age, they will become friendly to humans. It is found in the northern regions of the Indian Subcontinent as well as some adjoining areas. It is found in Afghanistan, Bhutan, India, Nepal, Pakistan and Tajikistan. It is the national bird of Bahrain.
Friday, April 26, 2013
The Pied Bush Chat
The Pied Bush Chat (Saxicola caprata) is a small passerine bird found ranging from West and Central Asia to South and Southeast Asia. About sixteen subspecies are recognized through its wide range with many island forms. It is a familiar bird of countryside and open scrub or grassland where it is found perched at the top of short thorn trees or other shrubs, looking out for insect prey. They pick up insects mainly from the ground, and were, like other chats, placed in the thrush family Turdidae, but are now considered as Old World flycatchers. They nest in cavities in stone walls or in holes in an embankment, lining the nest with grass and animal hair. The males are black with white shoulder and vent patches whose extent varies among populations. Females are predominantly brownish while juveniles are speckled.
Wednesday, April 24, 2013
Wednesday, April 10, 2013
ANKIYA BHAONA (Dramas of Shri ShriSankaradeva)
The dramas of Sankaradeva and his chief disciple,
Madhavadeva, as also other successors of theirs, are known popularly as ANKIYA
NAT and called yatra, nata, nataka or nritya in the text itself. In their
performances, these dramas are mostly dance and music, interpreted with very
short dialogues and connected with explanatory matter (SUTRA – KATHA) from time
to time. As a dramas they are a type by themselves, and do not follow any
model, Sanskrit, Prakrit or otherwise. There is no Act or scene division in
them; most of the dramatis personae enter the theatre (thatis, the oblong space
available at the middle of the thatched prayer- house in maths), surrounded
almost on all sides by the squatting audience, at the very beginning (in the
evening of show); and the action sweeps on at a stretch till the end is reached
(near about dawn). There are no background scenery (although Sankaradeva is
said to have introduced them in his very first dramatic performance); time and
distance are indicated through songs and dances. The sutradhara or sutadhari,
taken originally from the classical Sanskrit drama, dhemali, looking like a
clever popular translation of the Sanskrit term, purvaranga) are over,
announces the drama and conducts the whole show with dances, songs and
explanatory commentary. The songs, dialogues and explanatory matter are all in
artificial literary idiom, which has since been called Assamese Brajabuli,
being a queer mixture of Assamese, Maithili, Hindi and other elements.
These
are intervened only by Sanskrit verses and, rarely, Early Assamese payara with
a plaintive motif. The written text of the drama begins with a nandi
(benediction) in Sanskrit, announcements of the name and theme of the piece to
be presented, bhatima (panegyric) of the hero, and an extremely short dialogue
between the sutradhara and a comrade in the style of amukha or prastavna of Sanskrit
dramaturgy. The introductory songs (pravesagita) then usher in the hero, the
heroine and other characters in appropriate dance compositions. And the real
action now begins. The drama closes with a mangala or mukti-mangala-bhatima
wishing everybody general welfare and the attainment of final beatitude; and
this is comparable to bharata-vakya of classical dramas.
Sankaradeva wrote six plays
which are still extent and are performed : Patni-prasada, Kali-damana,
Keli-gopala, rukminiharan, Parijata – haran, and Ramavijaya. Madhavdeva
composed Arjuna-bhanjana, Chordhara, Pimpara- guchuwa, and Bhumi-lutiwa, three
other plays also being ascribed to him : Rasa-jhumura, Bhusana-haran and Kotora
–khelowa.
The representations of dramas are popularly known as Bhawana
or bhaona (Skt. Bhava, representation; bhavayati; Assamese, bhao di, to act or
take part in a dramatic performance). The performances of Sankaradeva’s or
Madhavadeva’s dramas are known as ankiya bhaona, representations of other
dramas in the same grand style are also known by the same name, but even the
later Vaishnava dramas differed in language and mode of performance from the
ankiya mode, and came to be known as simple bhaona.
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